Bad Boys: Ride or Die is a limp, lame sequel to a series with seriously diminishing returns.
Monica continues plugging away as Da Boss hits the brakes for the time being.
Ezra is one of the better depictions of teen autism in recent memory.
Seven Days in May, JFK, and the limits of Hollywood paranoia during the Cold War.
Men often hold the keys to the arts.
Among the movies whose posters I never forgot as a kid in video stores, Henry: Portrait of a Serial Killer is by far the worst.
MQ and Da Boss ready yet another piece of SATUR-19 to be sent out into the world.
There's no better example of a character coming-to-age than The Hustler and The Color of Money.
Tayarisha Poe's new film has the same familial irritation as Shiva Baby, Uncut Gems, and even Melancholia, but still manages to be optimistic.
It’s not the audience, it’s not ticket prices, and it’s not “changing tastes.” What’s going wrong?
I Saw the TV Glow, Neon and A24 in Indywood, and what's possible seven years after Twin Peaks: The Return.
The Hurt Locker was the first Best Picture winner directed by a woman, for better and worse.
The Wasp Woman (1959) isn’t only a sci-fi classic but also a fascinating exploration of a woman’s place in a man’s world.
Looking back at 1958 film, She Gods of Shark Reef.
Its star, Gerard Depardieu, is now facing many allegations of sexual assaults over the decades.
A show that makes no sense—but lots of dollars.
In his prime, Gen-X comedy icon Odenkirk avoided easy laughs and cheap cliches like the plague.
The prescience of John Carpenter’s 1988 film They Live.
Thoughts on Pinball: the Man Who Saved The Game and Special When Lit.
Ten films reveal how not to end fights.
Julie Wassmer’s Whitstable Pearl mysteries, and the town that lies behind them.
The actress talks about Requiem for a Dream, Once Upon a Time in America, Labyrinth, A Beautiful Mind, Top Gun: Maverick, and more.
The documentarian talks to the filmmakers of Pulp Fiction a decade before Tarantino would hand him the Palme d'Or for Fahrenheit 9/11.
The critic and filmmaker fawn over Scorsese and don't have much to say about Friedkin's famous film.
The young director talks about his second film, Kafka, in this episode aired January 18, 1992.
Paul Schrader, Uma Thurman, Richard Gere, David Gonzales talk about their new movie the night after its premiere.
Francis Ford Coppola, Adam Driver, Giancarlo Esposito, and others talk about their new wildly polarizing film.
Francis Ford Coppola talks about Apocalypse Now with his family.
The late film icon talks to Letterman about his work at AIP, New World Pictures, and more.
The critic says Kingdom "feels like you're watching a prequel" to the next two films in this new trilogy.